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                Fushimi 
                Makis Biography 
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                     1957 
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                  Born 
                    in Yokohama  | 
                 
                 
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                     1978 
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                  Enters 
                    Kamakura-Bori Training School. (Trains in carving and lacquering) | 
                 
                 
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                     1980 
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                  Graduates 
                    Kamakura-Bori Training School. Enters Kamakura-bori Hakujitsudo, 
                    begins training in carving After two years, commences study 
                    in lacquer coating. | 
                 
                 
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                     1984 
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                  Enter 
                    Sato Senros Lacquer Ware Studio as an apprentice (Nagano 
                    Prefecture, Kiso County). Starts his training by learning 
                    how to make daily household lacquer craft wares. 
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                     1987 
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                  Establishes 
                    his own workshop. | 
                 
                 
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                     1991 
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                  Awarded 
                    Japan Folk Craft Museum, Encouraging Award Holds solo exhibitions 
                    in Saitama Prefecture, Kumagaya-shi, and in Tokyo metropolitan 
                    area. | 
                 
                 
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                     1994 
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                  Moves 
                    his studio to Kanagawa Prefecture, Hayama-machi | 
                 
                 
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                     2000 
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                  Various 
                    solo exhibitions in Tokyo metropolitan area Fushimi | 
                 
               
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              (Fushimi working in his studio) | 
           
           
             
               
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              Makis Spoons 
              and Forks 
                  
                As handmadejapan.com 
                wishes to cover more in depth and share the beauty found in the 
                world surrounding bamboo craft, this feature will present his 
                bamboo spoons and forks. We will introduce total 9 types. Spoons 
                and forks used for pasta and curry, soup, dessert, salad, etc. 
                They all vary in size. Each piece is exquisite with the lacquer 
                blending harmoniously with the bamboo core. Among the bread-and-butter 
                works, his bamboo series are actually one of his favorite personal 
                hobby-like creations. These pieces created with his distinctive 
                unpretentious air are so attractive that one can not resist from 
                reaching out to hold them in ones hand and try to touch with 
                his lips.  
                 
                "Beauties" 
                created by the artists magical hands 
                 
                You can definitely see his professional skill in the carvings. 
                By accumulating knowledge through experience working with bamboo, 
                he is able to understand more in depth, the quality of the bamboo. 
                He aims to create each piece bringing out the best of the bamboo. 
                He takes no shortcut, and his dedication can be seen in the full-fledged 
                process of making these spoon and forks with seven layers of coatings. 
                Now lets take a look at the process. 
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                First, 
                a very thick, moso-chiku bamboo is obtained from the bamboo yard. 
                The bamboo is left to dry naturally for a period of time. Next, 
                on the bamboos curved surface, the shape of a spoon is traced 
                from a pattern paper. Very carefully, small slits are made into 
                the bamboo with a saw. The firmness of bamboo sheath and the flesh 
                is totally different. The outer layer is extremely hard, and the 
                blade quickly becomes dull. On the other hand, the inside can 
                be easily carved with a carving knife, or chisel.  
                 
                After the bamboo is split into individual pieces, the process 
                of chiseling the curve (concave) of the spoon follows. After much 
                trial and error, the method he has contrived is to make several 
                small diagonal cuts along the surface. Carving the hard surface, 
                with just the strength of his fingers, will not only make the 
                sharp blades become dull quickly, his thumb will result in suffering 
                with arthritis. The small cuts on the surface, facilitates making 
                precise incisions with the blade. Gradually removing the outer 
                layer, the spoon curves are made to 1.5mm to 2.0mm thickness. 
                 
                 
                Following, is the trimming away of the excess bamboo with a small 
                handsaw. Finally, the bamboo begins to assume the shape of a spoon. 
                The rest is a long painstaking process of gradually carving out 
                with a chisel, working with his sensitive fingers as his guide. 
                Next, the protruding (convex) surface of the spoon curve is meticulously 
                sanded. It is not possible to sand the concave surface of the 
                curve. To avoid any bumps visible with the lacquer coating, the 
                irregularities of the surface must be carefully smoothed over 
                with the chisel.  
                 
                Rather than leaving rough rugged cuts or bold primitive finishes, 
                he chooses to carve until he is satisfied with the exact precision 
                and elegance. Because bamboo is rather a simple and unsophisticated 
                material, he places much energy to finish each piece to perfection. 
                His attention to the details is incredible. The artists concern 
                definitely goes beyond many. He carefully calculates the size 
                and the smoothness of the spoon, as it touches against ones sensitive 
                lips. The distinctive smooth touch of the lacquer, and the subtle 
                curve of the spoon, should flatter the food carried into ones 
                mouth. He finds many utensils today are focused on modern shapes 
                and form. Unfortunately, they are often not very comfortable when 
                eating, moreover, it makes the person look extremely unattractive 
                when eating. Yes, his concern goes to that extent.  
                 
                A lacquer-coated ladle and spoon have been made since early times. 
                However, this is the first time I have ever seen a lacquered fork. 
                They are not at all delicate as the tiny forks for Japanese confectioneries. 
                On the contrary, they are very sturdy forks that you can actually 
                pick fresh cucumbers in your salads, or twirl pasta from your 
                plate. The idea that you can use this fork like any other metal 
                forks is so exciting.  
                 
                The artist works into the late hours of the night, using simple 
                tools, carving away and polishing the agile forks, with the distance 
                sound of the waves from the Shonan beach. The contrast of the 
                smartness of his forks and the long hours and tedious labor just 
                seems incongruous to me. There must be a reward for those who 
                endure repeated manual labor. I can only imagine how immense the 
                sense of fulfillment he must feel.  
              to 
                the shopping page  
                
                 
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              Service-plate, 
                dinner-plate, soup plate, salad bowl 
              Let us also introduce 
                beautiful plates and bowls that matches the bamboo spoons and 
                forks. They too, are natural beauties. There are four types: 
                service-plate, dinner-plate, soup plate, and salad bowl. Placing 
                a ceramic plate beneath the urushi plates will create an exquisite 
                presentation, adding even more panache to your table.  
                 
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               Enticing 
                Italian dishes with the vessel 
               
              Fushimis lacquer 
                ware is a handy utensil that can be used for culinary delights 
                from any nationality. Here we show you delicious dishes prepared 
                by Chef Kojima Masaaki, from the Italian restaurant Aqua Pazza 
                in Minami- Aoyama, Tokyo.  
              On the service plate 
                the chef has prepared "Bagna Cauda with Season Vegetables". 
                You can see the fine wooden grains through the transparent lacquer. 
                 
              On the dinner plate 
                is a delicious "Smoked Duck Hamburger Steak with Balsamico 
                Sauce".Of 
                course, any homemade hamburger served on this plate will look 
                sharp and stylish. 
               In the soup bowl 
                is the tasty "Green Perilla (Japanese Basil) Cold Fedelini 
                Pasta Seasoned With Green Vegetables and Botargo".  
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