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Biography
- 1963 Born in Nara
Prefecture. Now resides in Oita Prefecture
- 1993 Received the
Medal of Excellence at the 35th Japan Folk Crafts Exhibition.
- 1994 Selected for
the Japan Folk Crafts Museums New Work Exhibition
- 1996 Selected for
the National Arts and Crafts Exhibition
- 1996 Awarded the
Medal for Excellence in Techniques at the 38th Japan Folk Crafts
- 1996 Awarded the
Folk Crafts Association Prize at the Japan Folk Crafts Museum
Exhibition
- 1996 Solo exhibition,
Kikuchi Folk Crafts in Kumamoto Prefecture
- 1997 Solo Exhibition,
Beniya Folk Crafts Gallery in Tokyo
- 1998 Solo Exhibition,
Hyugaji Folk Crafts Gallery in Miyazaki Prefecture
- 1998 Solo Exhibition,
Yu Station in Aso Oguni-cho
- 1999 Participated
in the Kyushu Handcraft Exhibition of the Kumamoto Prefectural
Traditional Folk Crafts Center
- 1999 Participated
in the Handcrafts in Our Daily Lives Exhibition for the 30th
Anniversary of the Hyugaji Folk Crafts Gallery
- 1999 Solo Exhibition,
Fudoki Gallery in Gumma Prefecture
- 1999 Solo Exhibition,
Takenoko Cafe Gallery (Fukuoka)
- 1999 Participated
in the Japan Folk Crafts Museum Exhibition
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Tools used to cut
bamboo: a hatchet made in Kumamoto Pref., a saw made in Niigata
Pref. and a pair of backskin gloves made in Sweden. |
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After polishing
the surface of the bamboo, set in a piece of fine bamboo and
split into half |
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Making bamboo tapes |
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Making bamboo tapes
with equal size by pulling it between the edges of two knives |
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A
Message from the Craftsman
Since ancient times,
history and experience have shaped the many objects and utensils
used in daily life. Once, everything we made had a form that was
both functional and beautiful, suggesting a true relationship between
the two. Each object was made for a purpose, though some of those
uses may now be lost in the past. They are not to be dismissed howeverthese
objects that were made carefully in an age when there was ample
time and plenty of ingenuity. Now they are being replaced by cheaply
made, mass-produced things. The original purpose behind each utensil
has almost been lost. Our way of life has changed, and with it our
values. Appreciation for the sensitivity and modesty once found
in our daily lives seems to have disappeared in an instant. The
search for an economical lifestyle and the speed in which our busy
lives pass by have made things valued in the past become meaningless.
Having chosen bamboo basketry as a way of life, I have spent endless
days trying to understand the fundamental differences between life
in olden times and life in this modern age. Long ago, time was appreciated
as it passed at a slow pace, and there was a definite reason for
making bamboo baskets. In todays fast paced lifestyle, the kind
of containers that have replaced them are not at all the same. Bamboo
bark and bamboo baskets have the remarkable ability to preserve
food by protecting it from bacteria. Food baskets (meshi-kago),
placed in an airy place, will keep cooked rice from spoiling for
a long time. Iriko baskets were indispensable and used by people
living in the mountains to hang and preserve fishes and iriko (small
dried fish). I chose to make these baskets, because they have an
overwhelmingly significant purposepreserving the foods that supplied
the villagers with their main source of nutrition from the sea.
Out of the perfect form for this purpose there is an unsurpassed
kind of natural beauty. At first, I approached the art of basket
weaving with a very lighthearted feeling. Then an old craftsman
living in a mountain village taught me the history behind the baskets
he made. As I held his baskets in my hands, I began to gain a deeper
understanding of the real depth of their meaning. In my search,
I asked so many questionswhy were they made? what is it that is
so special about their shape, and was I unable to handle the bamboo
strips with ease no matter how hard I tried or how long I practiced?
I discovered that it takes more than technical skill to make a basket.
Though I struggled for so long to form the bamboo ribbons into the
beautiful shapes of the iriko baskets, at last I realized that,
like a prayer, the force that shapes the bamboo ribbons has to come
from the heart. The baskets I make are true to the original functional
form, though they are no longer used for their original purpose.
Whether or not they are used today as serving baskets or for flower
arrangements, I believe I have found new meaning in creating these
baskets. The significance lies in the actual decision to continue
making them as a way of life. At last I am able to weave a basket
from my heart.
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